• The Return of Something for Cat

    I had recently heard a well-respected multimedia composer state that one of my personal favorite genres of music, what you might describe as 1960’s easy listening light big band jazz, a la Henry Mancini or Neil Hefti, was really no longer commercially desirable.

    But just this month, I heard on two separate commercials, Mancini’s track Something for Cat from the Breakfast at Tiffany’s soundtrack. Perhaps this style is making a bit of a comeback?

    Even if not, style aside, Something for Cat is a fine example of one of the main features of much commercial / library music today: very minimal melody, with an arrangement that builds, adding a new component, every few measures. Let’s take a listen:

    Today’s most typical commercial guidance is to add a new musical element every four measures; here, depending on how you are counting the time, Mancini is adding a new element every eight measures:

    • Eight measures of percussion and low horns
    • Eight measures of adding a low sax riff
    • Eight measures of adding a high muted trumpet riff
    • Eight measures almost the same as the previous, but building the intensity of the drums/percussion

    None of this is especially melodic, and thus none of it would especially interfere with on-screen dialogue or narration. In other words, great background underscore music.

    After those opening 32 measures, Mancini then goes into a short “B” section of the song, a little bit more melodic, but still reasonably containable in the background.

    Past that, the piece goes into various jazz solos, and becomes less generally desirable as multi-purpose commercial library music. It may well work in a particular setting, but such virtuosic lead lines are prone to conflicting with dialogue. When producing modern commercial library music, there is nothing wrong with including such passages, but you would probably want to also provide variations without the soloing.

    Even so, the core essence of the track bears much structural resemblance to the commercial music today. And whether if we are seeing a big return to 1960s jazz stylings or not, it’s nice to hear this track getting some fresh air time!

  • Commercial Electric Ceiling Lights

    Having completed the drywall and painting in a newly-finished room in the basement, I started looking at light fixture options. Other rooms in the house had been outfitted by the original builder with basic Patriot Stella fixtures, part of the Menard’s store line of light fixtures, so I bought a package of those to match.

    After three hours of trying to install one of these Patriot Stella fixtures, I gave up. The included wire nuts were on the small side, and it was unusually arduous to join the wires. In trying to get the questionably-spaced screws on the mounting plate to line up with the base of the light fixture, the mounting plate was getting bent. I presume there is some trick to getting these light fixtures installed easily, but I wasn’t sure how I was going to finish the first fixture, much less get the next two up.

    Eschewing Menard’s for any further light fixtures, I browsed Home Depot’s website for well-rated ceiling lights. One reviewer of the Commercial Electric LED Flush Mount fixture claimed a successful installation in eight minutes. Sounded promising, so I trundled over to Home Depot and bought one.

    Back in the basement, the installation process went much better. The wire nuts easily accommodated the needful wires, and it was trivially easy to line up the screws with the fixture base. All in all, I had the fixture installed and working in about thirteen minutes.

    Being an integrated LED fixture, I believe you typically replace the entire fixture when the long-lasting LED element eventually wears out, but that could be years. And with a fixture as easy to install as this one, I would not at all mind replacing it every few years.

    Thank you Commercial Electric!

  • The Forgotten Founding Father

    I just finished reading The Forgotten Founding Father, Joshua Kendall’s biography of Noah Webster.

    Preceding President Trump’s “America First” campaign by some 230 years, Webster was an adamant supporter of breaking from European influence and promoting development of resources within the United States:

    At dinner, [George] Washington happened to mention that he was looking to hire a young man to tutor his two step-grandchildren—Nelly and Wash Custis, then living at Mount Vernon. He told Webster that he had asked a colleague in Scotland to offer recommendations. A stunned Webster shot back, “What would European nations think of this country if, after the exhibition of great talents and achievements in the war for independence, we should send to Europe for men to teach the first rudiments of learning?” Immediately grasping Webster’s point, a humbled Washington asked, “What shall I do?” But even before he had finished his question, the General himself knew the answer. Out of respect for the emerging new nation, he would restrict his job search to Americans.

    If we are ever tempted to look at the current state of United States politics and pine for the good old days of the 1830s, we might remember that Webster was pretty distraught back then too:

    He detested President Andrew Jackson as the second coming of Jefferson. In the 1832 election, he supported the third-party candidate William Wirt, as he no longer wanted anything to do with either of the major political parties. By 1836 … he also looked down on his fellow Americans: “I would, if necessary, become a troglodyte, and live in a cave in winter rather than be under the tyranny of our degenerate rulers. But I have not long to witness the evils of the unchecked democracy, the worst of the tyrannies. . . . We deserve all our public evils. We are a degenerate and wicked people.”

    The impact of humans on the environment was also a popular topic in Webster’s time:

    Ever since the Revolution, numerous writers had taken the position that American winters were becoming milder. These advocates for the eighteenth-century version of “global warming” included Thomas Jefferson, who had addressed the question in his Notes on Virginia; Benjamin Rush; and Samuel Williams, a Harvard historian. The man-made cause was allegedly the rapid deforestation of states such as Vermont. Webster challenged his predecessors on the basis of their lack of evidence. Noting Jefferson’s reliance on personal testimony rather than hard data, Webster wrote disparagingly, “Mr. Jefferson seems to have no authority for his opinions but the observations of elderly and middle-aged people.” Though Williams, in contrast, did engage in some statistical analysis, Webster convincingly argued that he had misconstrued the facts at hand. While Webster acknowledged that winter conditions had become more variable, he maintained the America’s climate had essentially remained stable….

    The work of compiling his American English dictionary apparently demanded intense concentration. In one house, “to make sure that he wouldn’t be disturbed by the children, he packed the walls of his second-floor study with sand.” In another house, the construction of which he personally oversaw, “Webster had double walls installed in his second-floor study.” Adding mass to the wall and constructing two layers of walls both remain recommended tactics for sound isolation today.

    The story of Webster’s life itself was fascinating to learn about, but perhaps just as interesting are the various side remarks about the people and places he encountered. In this book we learn bits of history about New England states; the founders of familiar cities and organizations; and details about Revolutionary-era battles, pamphleteering, and government development from a more personal perspective than usual.

    What about the implication of the book’s title? Was Noah Webster a founding father of the United States? Others certainly appear more instrumental in initiating and developing the foundations of the country, but Webster clearly played a major role in supporting the new republic through a prolific number of articles and numerous speeches. Webster’s role may have been more supportive than creative, but that does not diminish his importance.

    As usual, I read a paperback edition, but as the cover became worn from being stuffed into the back of the seat in front of me on several airplane trips, I thought a digital edition might have been nice too, at least for reading as a travel passenger.

  • Nixon Now

    IMG_2938I was recently at the Richard M. Nixon Presidential Library and Museum in Yorba Linda. Having never before taken the time to learn much about Nixon, my impression of him, molded by superficial academia and mass media, was that he was corrupt, disgraced, and most definitely a “crook”.

    Perusing the exhibits, I learned for the first time about what might have been one of the best presidents in United States history. His accomplishments both within the country and in relations with other countries are numerous and impressive. Why has his reputation been watered down to Watergate? Even there, it seems that what actually happened is not be as bad as what the general public has been led to believe. Nixon himself offered in 1978:

    Some people say I didn’t handle it properly and they’re right. I screwed it up. Mea culpa. But let’s get on to my achievements. You’ll be here in the year 2000 and we’ll see how I’m regarded then.

    Now in 2018… it seems that he remains best-known for Watergate.

    He also had some amazing campaign songs:

    Thanks to the great exhibition displays at the museum, I look forward to learning more about our 37th president. Happy Election Day!

  • The Greatest Love

    819925-R1-013-5At our 2008 wedding, Jennifer and I had my cousin Hannah McDonald sing the Harlan Rogers composition The Greatest Love (with lyrics later added by Phil Driscoll). In celebration of our ten-year anniversary, we at Atmosphere Control Productions have published a single of this song, retaining the original drum track from the wedding (courtesy of Carl Albrecht), along with updated keys, guitars, bass, and vocal tracks. Available as a digital download now from iTunes, Amazon Music, CDBaby, etc. Buy a copy today! Better yet, buy a thousand!

    And Happy 10-Year Anniversary to Jennifer! I love you very much!

    See also: original instrumental version from 1986 by Harlan Rogers with Koinonia